推荐大家去看李继宏译本里面的导读，对编剧的生平以及作品背景简单了解下，他写的很深刻也非常有趣。
整本剧的主旨显然就是：What is essential is invisible to the eyes.
我想要理解的几个点，1是日落这一意象，看到有个人对于Sunset日落这一意象的解释是：sunset means hope for another day. after the sunset, a new day begins.是说日落象征着新一天的希望，编剧故乡法国沦陷的二战背景下，这一理解我觉得是十分合理的。
2是最后沙漠里的那口井，编剧喝井水的时候想到了圣诞节，这一点是在说明其实是精神饥渴而不是身体。His thoughts of Christmas ceremonies suggest that his spirit, and not his body, is what truly thirsts.
真的真的，影视理解很费脑，但也很有趣，上面2点都是看到别人的分析，我目前还无法做到自己推出来。但是我们总要试一试
《以牙还牙Extremities》这部剧呢对我最开始的吸引就是那些简单但唯美的意象，我们都觉得自己像以牙还牙Extremities吧，我们认为自己特别，我们把我们喜欢的东西看作玫瑰、狐狸、日落，其实每个人都可以是以牙还牙Extremities啦。带着圣埃克苏佩里的美好想象一起在这世界看日落吧
如下是在外网摘的一些理解，觉得写的还不错：
Le Petit Prince draws unflattering portraits of grown-ups as being hopelessly narrow-minded. In contrast, children come to wisdom through open-mindness and a willingness to explore the world around them and within themselves. The main theme of the fable is expressed in the secret that the fox tells the little prince: “It is only with the heart that one can see rightly: what is essential is invisible to the eye.”
“All grownups were once children ... but only few of them remember it.” This is not an exercise in nostalgia or the desire to retreat the past. Rather, it is an embrace of all that has gone into making up a full grown being. We ought not to forget that we are rather rare creatures , made up of imagination and memory and dearly-won virtues. The past is part of who we are.
“I have lived a great deal among grownups. I have seen them intimately, close at hand. And that hasn’t much
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